Shifting Winds of Fate
Ceaselessly circling
Bridging,
The past, present, and future
Time and again, shedding its skin
Sustaining the myth
Its splendour
Everlasting
蛇来运转
无尽环绕
连接起
过去，现在和未来
一次次蜕变
传奇延续
辉煌
永不止息
Design Concept
The snake endlessly surrounds, intertwining, with its head and tail connected.
Simple yet containing the intersection of the past, present, and future.
In this piece, time is no longer "purely" linear, but woven into a three-dimensional, intricate web-like longitude and latitude, embodying the LIULI's reflections in contemporary art; the snake's scale pattern transitions from solid at the head to abstract, complemented by minimalist diamond patterns and Tang Dynasty treasure flower patterns, endowing the snake with lush vitality of plants and trees; red zirconia stones embedded among them act like prisms, reflecting light to the maximum extent as the three-dimensional relief carving and twisting of the movement of the snake body.
Year of the Wooden Snake is one of the mutually nourishing elements among the five elements, it can represent the continuous development of brilliant legends or exuberant growth under the light. "Shifting Winds Of Fate" carries the concept of endless renewal, revealing transformative power in its rotation.
灵蛇无尽环绕、交错，首尾相衔接
简约却蕴含着过去，现在和未来的交汇
在这件作品中，时间已不再是“纯粹”的线性，如同经纬一样，交织成一个立体、错综的网，蕴涵着工房对当代社会的思考；蛇身鳞纹由头部化实为虚，以极简菱形纹搭配唐代宝相花纹，赋予灵蛇草木繁茂的生命活力；一颗颗红色锆石镶嵌其间，则如棱镜一般，随立体圆雕，蛇身旋扭，将光线最大程度折射；
木蛇之年，五行中相生之相，它可以是辉煌传奇的永续发展，亦像是光明下的热烈生长。《蛇来运转》携生生不息的概念，于转动中展见蜕变力量。
